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Carrion_Crow

Stealth Head

+49677


Submissions

8
Mississippi Halfstep Uptown Toodeloo
Feb. 21, 1973
Assembly Hall, University Of Illinois

First Half Step of '73 and they get it perfect. A hidden gem in an often-overlooked show.
3
Row Jimmy
Feb. 21, 1973
Assembly Hall, University Of Illinois

From a show lost between the great greats of Feb. '73, this song shines brightly. Great for Row Jimmy fans.
20
China Cat Sunflower -> I Know You Rider
Feb. 17, 1973
St. Paul Auditorium

Seemless out of a perfect Here Comes Sunshine. Epic flow, up-tempo, great sounding and flawless jams. What more can a Head need?
4
Row Jimmy
Feb. 17, 1973
St. Paul Auditorium

A sweet, crystal clear version (3rd performance ever). Beautiful Bobby behind Jer's strong vocal, even Donna's great. Unfortunate cut around 6:00.
5
Truckin'
Feb. 17, 1973
St. Paul Auditorium

Just beautiful 2nd set opener. This show doesn't get the attention it deserves! Solid jamming.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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