headyversion

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Carrion_Crow

Stealth Head

+49682


Submissions

7
El Paso
Nov. 30, 1973
Boston Music Hall

Fast and fun, the crowd really digging it. Great show in spite of some sound quality issues.
15
Playin' In The Band
Oct. 27, 1973
Indianapolis State Fair Coliseum

Trippy explorations at lightning speed with cool MHUT>Big River sandwich.
6
Mississippi Halfstep Uptown Toodeloo
Feb. 22, 1974
Winterland Arena

Nice groovy outro. Great show, good vibes.
31
The Other One
Feb. 23, 1974
Winterland Arena

Gets real out fuurther and faster then into a Help-Slip preview in the jam. Great interplay between Phil and Jerry.
8
The Music Never Stopped
Feb. 28, 1975
Bob Weir's Studio

Rehearsal, no vocals, brilliant explorations of the song in development. Great insight into the boys' collective mind.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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