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Carrion_Crow
Stealth Head
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Submissions
2
Playin' In The Band
Oct. 24, 1972
Performing Arts Center
hard to believe this big beast hasn't been tagged yet: Experimental, interesting, and at 23min, a nice long ride.
2
Box of Rain
Oct. 24, 1972
Performing Arts Center
Only the 2nd one they played after it went into circulation, and it conveys all the emotion and poetry of this wonderful song. Sing something Phil!
1
Brokedown Palace
Oct. 23, 1972
Milwaukee Performing Arts Center
For a song notoriously difficult to pull off live, this one is just beautiful. Succinct, harmonious, deliberate: All good, in spite of AUD quality.
2
China Cat Sunflower -> I Know You Rider
Oct. 23, 1972
Milwaukee Performing Arts Center
Great transition into Rider here. Really strong '72 ensemble playing. Sound quality is only about a B though.
1
Black Throated Wind
Oct. 23, 1972
Milwaukee Performing Arts Center
Solid heady version with a great build-up. Sound is only B quality though.
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Comments
Playin' In The Band
March 27, 1972
Academy of Music
One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music
The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music
+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music
The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music
There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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