headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

4
Goin' Down The Road Feelin' Bad
Oct. 19, 1972
Fox Theatre

One of the rare versions that stands apart with or without its NFA bread.
6
Dire Wolf
Oct. 19, 1972
Fox Theatre

For a song that was effectively out of rotation at this point, they pulled it off with sing-round-the-campfire sweetness. Jerry growls it out.
6
China Cat Sunflower -> I Know You Rider
Oct. 19, 1972
Fox Theatre

Sweet version with an innovative transition. The whole band was on, but Keith and Phil are high in the mix and brilliant..
3
Bertha
Oct. 19, 1972
Fox Theatre

Recording is good, with Keith and Phil high in the mix. Everyone is switched way on, and the jamming shows perfect unity.
3
Sugaree
Oct. 19, 1972
Fox Theatre

Band recovers from a flubbed BTW and charges forward with this powerful rocker. Jerry and Keith's interplay as it rises is spectacular.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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