headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

5
Mexicali Blues
Sept. 17, 1972
Baltimore Civic Center

Serious giddyup.
4
Greatest Story Ever Told
Sept. 16, 1972
Boston Music Hall

Streaks across the sky like a comet. Choose the SBD version, you won't regret it. Bobby and Donny are totally on together.
2
Big Railroad Blues
Sept. 16, 1972
Boston Music Hall

Really needs a cleanup, or some miracle tapes to clear the sound on this little gem. They were on. Where's the rest of the SB?
3
Jack Straw
Sept. 16, 1972
Boston Music Hall

Listen through the murky AUD and you'll find a powerhouse version that clearly blew the doors off. Crowd energy contributes to a great version.
2
Black Throated Wind
Sept. 16, 1972
Boston Music Hall

No bad ones at all from this era, but listen in and you can hear Jerry drive Bobby higher and higher. Great powerful emotive energy.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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