headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

16
China Cat Sunflower -> I Know You Rider
May 23, 1972
Strand Lyceum

A more rocking version than others from the time, and oddly overlooked. Jumps off Cat right away into the long transition. Energetic stuff here.
13
Black Throated Wind
May 23, 1972
Strand Lyceum

Is there a single one from '72 that doesn't end in triumph? This song just got better and better throughout Europe. Surprised this wasn't here yet.
11
Sugar Magnolia
May 13, 1972
Lille Fairgrounds

Perfect musical sunshine. This one even got my not-at-all-into-the-Dead wife to dance around like a trippin' hippy, so you know it's good.
15
Truckin'
May 13, 1972
Lille Fairgrounds

Unforgivable that you guys overlook Truckin'. There's a reason it's the one song non-heads know. This one is a forgotten colossus. Listen up.
8
Mister Charlie
May 13, 1972
Lille Fairgrounds

Distinctly slower, with a greasier funk vibe. Surprised it isn't here. Different from the others and lots of fun.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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