headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

13
Tennessee Jed
April 26, 1972
Jahrhunderthalle

Because every song in this show deserves to be here. This is a solid rocking version, just excellent.
14
El Paso
April 26, 1972
Jahrhunderthalle

One of the perfect ones, and one of the last songs from this epic show to be posted here: A near perfect show from '72, one of the best.
11
Ramble On Rose
April 14, 1972
Tivolis Koncertsal

Jer: "This is a new song... and it goes exactly like this". Pigpen: "No it don't." Either way, it kicks like the good stuff.
8
Playin' In The Band
March 28, 1972
Academy of Music

Shocked it isn't here yet. Did you stop at Donna's beastly howl? If you did, you missed Jerry rip spacetime. Listen up and dig this Playin', really.
5
El Paso
March 28, 1972
Academy of Music

"Thank's Texans" Phil sez to the NY crowd. This one is a rollicking good time. Jer is all over it behind a great Cowboy Bob showcase.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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