headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

1
Me and Bobby McGee
March 22, 1972
Academy of Music

Billy's high in the mix, and he drives. A perfect snapshot, with Bobby's sweet young voice in perfect form and a solid driven pulse throughout.
3
Mister Charlie
March 22, 1972
Academy of Music

High-voltage and up tempo shuffle. Great sounding C. Miller cleanup.
3
Goin' Down The Road Feelin' Bad
March 21, 1972
Academy of Music

They push the energy up and up and up. Special transition into OMSN. An all-round high voltage jamming show. Underrated.
5
Big Railroad Blues
March 21, 1972
Academy of Music

High energy, shitkickingly good. The energy in this is off the charts.
2
Good Lovin'
March 21, 1972
Academy of Music

Pig on a ferocious rampage, the band sizzling hot behind him, and all this in the first set. This show deserves more love.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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