headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

1
Big Railroad Blues
Dec. 31, 1970
Winterland Arena

Not on the list, but hidden in an unfortunately cut Easy Wind. Tinny recording but killer, fast, and furious jamming.
7
Smokestack Lightnin'
Dec. 28, 1970
Legion Stadium

Soulful pure blues. This is an intimate, informal show. It ain't slick, and that's just fine.
1
Playin' In The Band
April 15, 1971
Allegheny College

Only 2 months old, and 22nd time: They were working hard on it, and you can hear the explosive potential. Manic warbler mode, Main 10 at the surface.
1
Truckin'
Dec. 28, 1970
Legion Stadium

Tight simmering burner here, with nice Bobby/Jerry mix levels. Pig on organ is a little lost, so try headphones for some fun.
1
Me and Bobby McGee
Dec. 27, 1970
Legion Stadium

Starts simple and grows into a triumph. Can't help but think these meant a lot to the boys right after JJ's passing. Beautiful.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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