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Carrion_Crow

Stealth Head

+49742


Submissions

6
Friend of the Devil
March 20, 1970
Capitol Theater

1st ever, slightly different lyrics, but an incredible delivery and freshness. Tricksters intro the country sound for NY heads expecting Alligator.
5
Black Peter
March 8, 1970
Star Theatre

Inside this not great show is a beautiful short acoustic set, including this perfect beauty. Totally overlooked.
3
Me and My Uncle
March 8, 1970
Star Theatre

Sweet acoustic version. Bobby is spot on.
7
High Time
March 8, 1970
Star Theatre

Absolutely pristine version with clear harmonies and beautiful emotive singing. Not a beloved show, but give this one a chance.
6
The Other One
March 7, 1970
Civic Auditorium

A blazing supernova of psychedelic force. Packs quite a wallop for only six and half short minutes.

Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.