headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

3
Good Lovin'
April 21, 1971
Rhode Island Auditorium

Insights and meditations on life love and picking up hookers from the great one. See his mind at work, jump on the wagon and ride.
9
Hard to Handle
April 18, 1971
Lusk Field House - State University Of New York

Overlooked gritty superfunk. Bobby solos, then Jerry takes him to school. Phil, meanwhile is nuking the world big time.
6
Goin' Down The Road Feelin' Bad
April 17, 1971
Dillon Gym

Subtle and musical, slithers its way into an epic Lovelight. Nicely different from others of the era, no NFA sandwich.
7
Hard to Handle
April 14, 1971
Davis Gym, Bucknell University

Another raging inferno. Benefits enormously from a great mix where everyone's audible and you hear Bobby's part. Hot stuff.
3
Wharf Rat
July 25, 1972
Paramount Theater

Carries forward the intensely creative force of the TOO before it. A glory.

Comments

The Other One
March 26, 1972
Academy of Music

Really lifts off and sends you out there. Beautiful exploratory jams before the first chorus and leading into MAMU.
Truckin'
March 26, 1972
Academy of Music

cgarces is right about this one. This is as solid rockin' a heady version as any. Sounds to me like it has Pig on organ and Keith on keys, which is a rare treat indeed.
Playin' In The Band
March 26, 1972
Academy of Music

This and the one from the previous night are key transitional Playin's that show the crack in the door to the spacetime bender that it becomes throughout '72. They're both worth more than one spin, and though I think the 25th is a bit more coherent, this one has the openness and freedom that we come to associate with Playin' ever after and is probably my favorite of the two.
Looks Like Rain
March 26, 1972
Academy of Music

This is how this song should have always been played: With Jer on luscious pedal steel and Phil on beautifully harmonic backup vocals.
Loser
March 26, 1972
Academy of Music

Gritty and soulful version. Check out Charlie Miller's cleanup for a great sound, with everyone clear and crisp in the mix.