headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.

Comments

The Other One
March 26, 1972
Academy of Music

Really lifts off and sends you out there. Beautiful exploratory jams before the first chorus and leading into MAMU.
Truckin'
March 26, 1972
Academy of Music

cgarces is right about this one. This is as solid rockin' a heady version as any. Sounds to me like it has Pig on organ and Keith on keys, which is a rare treat indeed.
Playin' In The Band
March 26, 1972
Academy of Music

This and the one from the previous night are key transitional Playin's that show the crack in the door to the spacetime bender that it becomes throughout '72. They're both worth more than one spin, and though I think the 25th is a bit more coherent, this one has the openness and freedom that we come to associate with Playin' ever after and is probably my favorite of the two.
Looks Like Rain
March 26, 1972
Academy of Music

This is how this song should have always been played: With Jer on luscious pedal steel and Phil on beautifully harmonic backup vocals.
Loser
March 26, 1972
Academy of Music

Gritty and soulful version. Check out Charlie Miller's cleanup for a great sound, with everyone clear and crisp in the mix.