headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49737


Submissions

2
Candyman
April 9, 1970
Fillmore West

2nd one ever, and doesn't flow perfectly yet. They're working out the lovely 3-part harmonies and it's just fantastic transitional Dead.
1
Deep Elem Blues
April 9, 1970
Fillmore West

Sweetness in the '70 acoustic key. Confusing setlist/archive on this show, but worth a listen.
5
Mama Tried
Feb. 14, 1970
Fillmore East

In spite of a bit of tape wobble, this is an otherwise pristine version, with everyone keyed up right. A tight solo and a fun time.
5
Friend of the Devil
April 3, 1970
Field House, U. of Cincinnati

Fast acoustic pickin' with alternative lyrics. Sounds almost like a 12-string in places. Is that possible?
6
St. Stephen
March 24, 1970
Pirates World

All the power and, let's admit it AMBIVALENCE by our boys is on here. They flub the lyrics but bigbang the jam. We are the answer to the answer, man.
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Comments

The Other One
March 26, 1972
Academy of Music

Really lifts off and sends you out there. Beautiful exploratory jams before the first chorus and leading into MAMU.
Truckin'
March 26, 1972
Academy of Music

cgarces is right about this one. This is as solid rockin' a heady version as any. Sounds to me like it has Pig on organ and Keith on keys, which is a rare treat indeed.
Playin' In The Band
March 26, 1972
Academy of Music

This and the one from the previous night are key transitional Playin's that show the crack in the door to the spacetime bender that it becomes throughout '72. They're both worth more than one spin, and though I think the 25th is a bit more coherent, this one has the openness and freedom that we come to associate with Playin' ever after and is probably my favorite of the two.
Looks Like Rain
March 26, 1972
Academy of Music

This is how this song should have always been played: With Jer on luscious pedal steel and Phil on beautifully harmonic backup vocals.
Loser
March 26, 1972
Academy of Music

Gritty and soulful version. Check out Charlie Miller's cleanup for a great sound, with everyone clear and crisp in the mix.
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