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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

1
Not Fade Away
March 21, 1971
Exposition Center

Murky AUD and incomplete show on IA, but a blaze of fun, this one. Has an itty-bitty Mountain Jam at 1:25 for about 12 seconds.
1
Good Lovin'
March 20, 1971
University of Iowa

Some rough spots coming back in, but a very interesting almost Santana-esque first jam and a great Pig groove. Interesting one.
12
Caution
March 18, 1971
Fox Theatre

Surprised it isn't here yet. Only one in '71 and it intensely musical and weirdly experimental. Crashes into a short feedback/tuning then a sweet UJB.
9
The Other One
March 18, 1971
Fox Theatre

Moves between super-charged hard rocker and an open-spaced delicate beauty. Marred by a cut, so how far did it really go? Anyone have the complete?
11
Wharf Rat
March 18, 1971
Fox Theatre

Soaring jam flirts with tipping into the outer void. Wild beauty with Pig on B3 gives it something extra.

Comments

Black Throated Wind
Sept. 27, 1972
Stanley Theatre

This starts so calm and sane and soulful, then does that ramping-up thing and becomes a manic hurtling 18-wheeler. '72 may be the best year for BTW and this one is right up there with 'em.
Drums
Jan. 24, 1969
Avalon Ballroom

Admit it Glyn... that was you yelling all over the end of this, wasn't it? ;^)
The Other One
Feb. 28, 1969
Fillmore West

The Dead invented hard rock. There it is. This is when they were at their most dangerous, their most 'hide the kids' threatening to the squares. This version shoots you out of the cannon and blows you to a million pieces, before landing back safely at the beautiful Cryptical to follow: Jagged and heavy peaks, scary circles within circles and loops and fractal roller coasters where you're either on the bus or under it. Those who know don't always say, and those who say don't always know....
Promised Land
April 27, 1977
Capitol Theatre

Video link please? They all seem to have been removed.
Samson and Delilah
April 26, 1977
Capitol Theater

Swagger and strut. Bobby just owns the vocals, plus what's been said here already about Keith, who's just brilliant throughout this underrated show.