headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

24
Black Peter
Jan. 2, 1970
Fillmore East (Late Show)

Low key and smooth - a real treat. Show is known for its great DS>SS>11, but give this a listen. Nice.
2
Hurts Me Too
Jan. 22, 1971
Lane Community College

Despite the lo-fi tape, this has got to be some of the deepest blues they ever played. Don't let the murky recording turn you off - it's worth it.
7
Hard to Handle
April 17, 1971
Dillon Gym

Cruising along with 3rd° swagger when it suddently hits high gear and <BOOM!>, you become the Pig, and it feels good.
3
Truckin'
April 17, 1971
Dillon Gym

Openers this good let you know exactly how amazing the show will be. 17.04 isn't just the best Good Lovin' of all time but an all round killer show.
14
Big Railroad Blues
April 5, 1971
Manhattan Center

Simply the best one I know. Energetic uptempo rockin' and rollin' with a hard driving bass player named PHIL!
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Comments

Black Throated Wind
Sept. 27, 1972
Stanley Theatre

This starts so calm and sane and soulful, then does that ramping-up thing and becomes a manic hurtling 18-wheeler. '72 may be the best year for BTW and this one is right up there with 'em.
Drums
Jan. 24, 1969
Avalon Ballroom

Admit it Glyn... that was you yelling all over the end of this, wasn't it? ;^)
The Other One
Feb. 28, 1969
Fillmore West

The Dead invented hard rock. There it is. This is when they were at their most dangerous, their most 'hide the kids' threatening to the squares. This version shoots you out of the cannon and blows you to a million pieces, before landing back safely at the beautiful Cryptical to follow: Jagged and heavy peaks, scary circles within circles and loops and fractal roller coasters where you're either on the bus or under it. Those who know don't always say, and those who say don't always know....
Promised Land
April 27, 1977
Capitol Theatre

Video link please? They all seem to have been removed.
Samson and Delilah
April 26, 1977
Capitol Theater

Swagger and strut. Bobby just owns the vocals, plus what's been said here already about Keith, who's just brilliant throughout this underrated show.
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