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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49682


Submissions

53
He's Gone
Nov. 18, 1972
Hofheinz Pavilion

Ignore nay-sayers who think this show is only about the (jaw dropping) PITB and decide yourself, this version is pretty, pure and full of '72 love.
10
Sugaree
Feb. 23, 1974
Winterland Arena

Hits that sweet spot between a shuffle and a ballad. Slight tinniness to Jer's Mike on my copy gives a nice swirling trippiness to it.
31
Playin' In The Band
May 17, 1977
Memorial Coliseum

Tiptoes on silk spiderwebs across a silent field of pure cosmos. Won't blow you into pieces, but will free your head from this mere terrestial plane.
26
Estimated Prophet
May 17, 1977
Memorial Coliseum

Pure mind-expanding insanity, slightly sinister and tight in its off-kilter odd-metered way. Cool organ sounds from Keith. Well-rounded May, '77 show.
15
Me and Bobby McGee
April 5, 1971
Manhattan Center

Jerry yodels. Need I say more?

Comments

Black Throated Wind
Sept. 27, 1972
Stanley Theatre

This starts so calm and sane and soulful, then does that ramping-up thing and becomes a manic hurtling 18-wheeler. '72 may be the best year for BTW and this one is right up there with 'em.
Drums
Jan. 24, 1969
Avalon Ballroom

Admit it Glyn... that was you yelling all over the end of this, wasn't it? ;^)
The Other One
Feb. 28, 1969
Fillmore West

The Dead invented hard rock. There it is. This is when they were at their most dangerous, their most 'hide the kids' threatening to the squares. This version shoots you out of the cannon and blows you to a million pieces, before landing back safely at the beautiful Cryptical to follow: Jagged and heavy peaks, scary circles within circles and loops and fractal roller coasters where you're either on the bus or under it. Those who know don't always say, and those who say don't always know....
Promised Land
April 27, 1977
Capitol Theatre

Video link please? They all seem to have been removed.
Samson and Delilah
April 26, 1977
Capitol Theater

Swagger and strut. Bobby just owns the vocals, plus what's been said here already about Keith, who's just brilliant throughout this underrated show.