headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

13
Brown Eyed Women
Oct. 2, 1977
Paramount Theatre

Perfection firing on all cylinders: Tight band, muscular beats, beautiful vocals (Donna's on!) and that applied greatness that is the '77 Dead.
13
Doin' That Rag
March 2, 1969
Fillmore West

Blissful '69 chaos: Jer says, "Help! Help! Hey, we need some organized minds up here" and then they launch. Great fun and a wild ride.
13
Comes A Time
Oct. 22, 1971
Auditorium Theatre

Pure. One of the first performances with beautiful, meaning-soaked delivery.
9
Wharf Rat
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

Suffers a cutout in the middle, but reaches transcendant beauty and interplay. They end on a harmonics/tuning just delightfully right out of the song.
7
Mississippi Halfstep Uptown Toodeloo
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

Sweet and subtle, part of a mega-massive 2nd set jam. A beauty.
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Comments

Black Throated Wind
Sept. 27, 1972
Stanley Theatre

This starts so calm and sane and soulful, then does that ramping-up thing and becomes a manic hurtling 18-wheeler. '72 may be the best year for BTW and this one is right up there with 'em.
Drums
Jan. 24, 1969
Avalon Ballroom

Admit it Glyn... that was you yelling all over the end of this, wasn't it? ;^)
The Other One
Feb. 28, 1969
Fillmore West

The Dead invented hard rock. There it is. This is when they were at their most dangerous, their most 'hide the kids' threatening to the squares. This version shoots you out of the cannon and blows you to a million pieces, before landing back safely at the beautiful Cryptical to follow: Jagged and heavy peaks, scary circles within circles and loops and fractal roller coasters where you're either on the bus or under it. Those who know don't always say, and those who say don't always know....
Promised Land
April 27, 1977
Capitol Theatre

Video link please? They all seem to have been removed.
Samson and Delilah
April 26, 1977
Capitol Theater

Swagger and strut. Bobby just owns the vocals, plus what's been said here already about Keith, who's just brilliant throughout this underrated show.
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