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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49767


Submissions

46
Ripple
April 29, 1971
Fillmore East

Also just about pretty damn perfect too. Follows a super-macho Hard to Handle and the combination shows so much of the emotional breadth of the Dead.
7
Tomorrow Is Forever
Dec. 11, 1972
Winterland Arena

A sweet and rare country torch ballad showing off just what they were thinking bringing the Godchaux on board the bus.
48
The Other One
Aug. 6, 1971
Hollywood Palladium

Heavy and Heady. Starts with super-charged explosions then melts into ballsy MAMU in under 8 minutes. Love the '71s.
28
Truckin'
Aug. 6, 1971
Hollywood Palladium

Absolutely smokin' hard rocking swagger. Builds from a cool shuffle to a blisteringly hot rocker setting up Drums/TOO. Great show all around.
15
Me and Bobby McGee
Aug. 6, 1971
Hollywood Palladium

The band plays/signs together so well on this sweet one. The whole concert is brilliant.

Comments

Black Throated Wind
Sept. 27, 1972
Stanley Theatre

This starts so calm and sane and soulful, then does that ramping-up thing and becomes a manic hurtling 18-wheeler. '72 may be the best year for BTW and this one is right up there with 'em.
Drums
Jan. 24, 1969
Avalon Ballroom

Admit it Glyn... that was you yelling all over the end of this, wasn't it? ;^)
The Other One
Feb. 28, 1969
Fillmore West

The Dead invented hard rock. There it is. This is when they were at their most dangerous, their most 'hide the kids' threatening to the squares. This version shoots you out of the cannon and blows you to a million pieces, before landing back safely at the beautiful Cryptical to follow: Jagged and heavy peaks, scary circles within circles and loops and fractal roller coasters where you're either on the bus or under it. Those who know don't always say, and those who say don't always know....
Promised Land
April 27, 1977
Capitol Theatre

Video link please? They all seem to have been removed.
Samson and Delilah
April 26, 1977
Capitol Theater

Swagger and strut. Bobby just owns the vocals, plus what's been said here already about Keith, who's just brilliant throughout this underrated show.