headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+47945


Submissions

2
Sugaree
Nov. 22, 1972
Austin Municipal Auditorium

Fantastic show opener, meaning business straight out of the gate. Solid, swinging pulse and great keywork from Keith.
7
Big Railroad Blues
Nov. 19, 1972
Hofheinz Pavilion

Powerfully locomotive version with lots of fun behind it.
3
Mexicali Blues
Nov. 19, 1972
Hofheinz Pavilion

Extra pop and stomp all over this one.
4
Me and Bobby McGee
Nov. 15, 1972
Oklahoma City Music Hall

Not everyone's favorite song, but I love it. This is an uptempo, airplay-tight, and beautifully sung version. Faster than most.
3
Big Railroad Blues
Nov. 15, 1972
Oklahoma City Music Hall

Turns on a dime from the cerebral extended PiTB jam into a coal-burnin' tight jam with force and power. Hot stuff showing off their limitless range.
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Comments

Uncle John's Band
March 19, 1977
Winterland Arena

Lot's of love here for the intro... but damn did you guys make it to the outro? The intro starts like silky gossamer and ends like a seven-cylinder jackhammer. It has that nice virtuoso '77 clean feeling while keeping the grit-in-the-gears and hard rocking energy.
Sugar Magnolia
March 19, 1977
Winterland Arena

Maybe it suffers a bit in comparison to the outrageous excellence of both the first and second set jams? The transition from Franklin's is a bit wobbly - and it takes getting to the first solo for it to really pick up steam, with the Devils driving it back on track for the win.
Eyes Of The World
March 19, 1977
Winterland Arena

Up-tempo, but not rushed. Keith is brilliant throughout, complimenting Jerry's endless wingspan.
Samson and Delilah
March 19, 1977
Winterland Arena

Soul-sizzling church here. The first half of PiTB noodles and swirls, but by the time Samson comes along they are all swagger and strength. This one is a colossus on its own, but part of an outrageous 1st set sammy it's become one of my top Samsons of all time.
Terrapin Station
March 19, 1977
Winterland Arena

Still brand-spankin' new, but they really found their stride here to kick off this outrageous extended jam to close out the first set. This strikes me as the first one to really convey the anthemic triumph outro.
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