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Carrion_Crow

Stealth Head

+49667


Submissions

6
Mississippi Halfstep Uptown Toodeloo
July 27, 1973
Grand Prix Racecourse

The boys seem to love playing in unanounced, unstructred jams like this. Freedom reminiscent of some '67-69's but with the '73 songlist.
30
Sugaree
Dec. 16, 1978
Nashville Municipal Auditorium

Rippin' show opener with Bobby twang sliding and a 2nd Jerry solo taking it up and over the top. Plus its Nashville.
5
Big River
July 27, 1973
Grand Prix Racecourse

Turns typical 1st set filler into a great jam. One of Keith's best solos of Summer '73.
13
The Other One
July 1, 1973
Universal Amphitheatre

Cool and fast w/ 12min jam before 1st (and only) verse. At 08:30 Phil goes teases what sounds like Milking the Turkey. Is that possible?
9
Loose Lucy
July 1, 1973
Universal Amphitheatre

A greasy gritty super-funk sex parade. Wasn't often the Dead sounded this horny after Pigpen died.

Comments

Chinatown Shuffle
March 23, 1972
Academy of Music

With a little WRS - Prelude noodling during the tuning afterwards. Cool to hear it so early on, even if it's just for a second.
Black Throated Wind
March 23, 1972
Academy of Music

Bobby sounds great. His voice is on point and even his high-intensity emotional finish fits in perfectly with the tight energy of the band.
Playin' In The Band
March 22, 1972
Academy of Music

Another historically interesting heavyweight from this pivotal transition moment for Playin', which is arguably my all-around favorite GD vehicle. This one, unlike the night before, still has a few The Main Ten moments, but also the spacey Playin' jam that we'd know from later in the year. My sense is that they worked hard on expanding Playin' during the winter break, as these first ones from the year (22 March, 21 March and 02 January) sound almost nothing like the versions from December '71. Just goddamned wonderful. Put this one on the mixtape that plays on a loop over my tombstone folks....
Big Railroad Blues
March 22, 1972
Academy of Music

Great harp work from Pigpen.
Wharf Rat
March 21, 1972
Academy of Music

Both this WR and the long TOO before it are flirting with Dark Star. This is a deep version: Jerry gives it so much emotion, and the whole band is locked in to a soundscape that gives it that extra x-factor.