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Carrion_Crow

Stealth Head

+49687


Submissions

7
El Paso
Nov. 30, 1973
Boston Music Hall

Fast and fun, the crowd really digging it. Great show in spite of some sound quality issues.
15
Playin' In The Band
Oct. 27, 1973
Indianapolis State Fair Coliseum

Trippy explorations at lightning speed with cool MHUT>Big River sandwich.
6
Mississippi Halfstep Uptown Toodeloo
Feb. 22, 1974
Winterland Arena

Nice groovy outro. Great show, good vibes.
31
The Other One
Feb. 23, 1974
Winterland Arena

Gets real out fuurther and faster then into a Help-Slip preview in the jam. Great interplay between Phil and Jerry.
8
The Music Never Stopped
Feb. 28, 1975
Bob Weir's Studio

Rehearsal, no vocals, brilliant explorations of the song in development. Great insight into the boys' collective mind.

Comments

Chinatown Shuffle
March 23, 1972
Academy of Music

With a little WRS - Prelude noodling during the tuning afterwards. Cool to hear it so early on, even if it's just for a second.
Black Throated Wind
March 23, 1972
Academy of Music

Bobby sounds great. His voice is on point and even his high-intensity emotional finish fits in perfectly with the tight energy of the band.
Playin' In The Band
March 22, 1972
Academy of Music

Another historically interesting heavyweight from this pivotal transition moment for Playin', which is arguably my all-around favorite GD vehicle. This one, unlike the night before, still has a few The Main Ten moments, but also the spacey Playin' jam that we'd know from later in the year. My sense is that they worked hard on expanding Playin' during the winter break, as these first ones from the year (22 March, 21 March and 02 January) sound almost nothing like the versions from December '71. Just goddamned wonderful. Put this one on the mixtape that plays on a loop over my tombstone folks....
Big Railroad Blues
March 22, 1972
Academy of Music

Great harp work from Pigpen.
Wharf Rat
March 21, 1972
Academy of Music

Both this WR and the long TOO before it are flirting with Dark Star. This is a deep version: Jerry gives it so much emotion, and the whole band is locked in to a soundscape that gives it that extra x-factor.