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Carrion_Crow

Stealth Head

+49712


Submissions

18
Black Throated Wind
Aug. 25, 1972
Berkeley Community Theatre

Flawless. It just leaves me breathless how good this show is.
31
Friend of the Devil
Aug. 25, 1972
Berkeley Community Theatre

Sparkles. Has an electric country sound that just crackles with energy. Perfect execution.
28
Black Peter
Aug. 25, 1972
Berkeley Community Theatre

An ultimate performance. Jerry's voice is in perfect shape. Powerful, chilling version that will make your hair stand on end. Shamefully overlooked.
16
Loser
Aug. 25, 1972
Berkeley Community Theatre

Powerful tight playing. C.Miller cleanup, boys playing the 1st set like their lives depended on it. Peak Dead.
19
He's Gone
Aug. 25, 1972
Berkeley Community Theatre

Note for note precise, beautiful playing. The outro is lovely and doesn't descend into madness. Donna gives it a nice gospel touch.

Comments

Chinatown Shuffle
March 23, 1972
Academy of Music

With a little WRS - Prelude noodling during the tuning afterwards. Cool to hear it so early on, even if it's just for a second.
Black Throated Wind
March 23, 1972
Academy of Music

Bobby sounds great. His voice is on point and even his high-intensity emotional finish fits in perfectly with the tight energy of the band.
Playin' In The Band
March 22, 1972
Academy of Music

Another historically interesting heavyweight from this pivotal transition moment for Playin', which is arguably my all-around favorite GD vehicle. This one, unlike the night before, still has a few The Main Ten moments, but also the spacey Playin' jam that we'd know from later in the year. My sense is that they worked hard on expanding Playin' during the winter break, as these first ones from the year (22 March, 21 March and 02 January) sound almost nothing like the versions from December '71. Just goddamned wonderful. Put this one on the mixtape that plays on a loop over my tombstone folks....
Big Railroad Blues
March 22, 1972
Academy of Music

Great harp work from Pigpen.
Wharf Rat
March 21, 1972
Academy of Music

Both this WR and the long TOO before it are flirting with Dark Star. This is a deep version: Jerry gives it so much emotion, and the whole band is locked in to a soundscape that gives it that extra x-factor.