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Carrion_Crow

Stealth Head

+49742


Submissions

4
Hard to Handle
Feb. 12, 1970
Ungano's Night Club

Date overshadowed by the next night and ambiguous provenance - but don't skip it. Bobby's high in the mix with rare balance and a great jam.
3
Beat it on Down The Line
Feb. 12, 1970
Ungano's Night Club

Has that blistering surf punk energy that the best early BIODTLs have. Whole show rocks, even if it may not have ever existed.
4
Cold Rain and Snow
Feb. 11, 1970
Fillmore East

Less known than the immortal Feb. 13 show, but every bit as good. They are so dailed in, just exactly perfect.
4
Casey Jones
Feb. 11, 1970
Fillmore East

Exuberent and crisp with pumped up energy... Hmmmm?
9
Turn On Your Love Light
Feb. 8, 1970
Fillmore West

Pig was responsible for a whole lotta new babies after this one. Turns it over and gives the ladies some instruction to go out and get it. Nice.

Comments

Chinatown Shuffle
March 23, 1972
Academy of Music

With a little WRS - Prelude noodling during the tuning afterwards. Cool to hear it so early on, even if it's just for a second.
Black Throated Wind
March 23, 1972
Academy of Music

Bobby sounds great. His voice is on point and even his high-intensity emotional finish fits in perfectly with the tight energy of the band.
Playin' In The Band
March 22, 1972
Academy of Music

Another historically interesting heavyweight from this pivotal transition moment for Playin', which is arguably my all-around favorite GD vehicle. This one, unlike the night before, still has a few The Main Ten moments, but also the spacey Playin' jam that we'd know from later in the year. My sense is that they worked hard on expanding Playin' during the winter break, as these first ones from the year (22 March, 21 March and 02 January) sound almost nothing like the versions from December '71. Just goddamned wonderful. Put this one on the mixtape that plays on a loop over my tombstone folks....
Big Railroad Blues
March 22, 1972
Academy of Music

Great harp work from Pigpen.
Wharf Rat
March 21, 1972
Academy of Music

Both this WR and the long TOO before it are flirting with Dark Star. This is a deep version: Jerry gives it so much emotion, and the whole band is locked in to a soundscape that gives it that extra x-factor.