headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

8
St. Stephen
Feb. 4, 1970
Family Dog at the Great Highway

Very cool NFA sandwich. It works well this way.
4
Dire Wolf
Feb. 1, 1970
The Warehouse

Starts with the chorus instead of the verse and a funny banter intro. Sweet version.
5
Katie Mae
Jan. 31, 1970
The Warehouse

As deep and simple a beautiful blues as they ever did. Pig's got the spirit of the Delta here alright. What a treat.
6
I've Been All Around This World
Jan. 31, 1970
The Warehouse

Simply gorgeous.
5
Little Sadie
Jan. 31, 1970
The Warehouse

Upvote for all Little Sadies, of course, but this one is special. Subtle, understated, and delicate: Jerry is barely whispering the lyrics. Beautiful.
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Comments

Chinatown Shuffle
March 23, 1972
Academy of Music

With a little WRS - Prelude noodling during the tuning afterwards. Cool to hear it so early on, even if it's just for a second.
Black Throated Wind
March 23, 1972
Academy of Music

Bobby sounds great. His voice is on point and even his high-intensity emotional finish fits in perfectly with the tight energy of the band.
Playin' In The Band
March 22, 1972
Academy of Music

Another historically interesting heavyweight from this pivotal transition moment for Playin', which is arguably my all-around favorite GD vehicle. This one, unlike the night before, still has a few The Main Ten moments, but also the spacey Playin' jam that we'd know from later in the year. My sense is that they worked hard on expanding Playin' during the winter break, as these first ones from the year (22 March, 21 March and 02 January) sound almost nothing like the versions from December '71. Just goddamned wonderful. Put this one on the mixtape that plays on a loop over my tombstone folks....
Big Railroad Blues
March 22, 1972
Academy of Music

Great harp work from Pigpen.
Wharf Rat
March 21, 1972
Academy of Music

Both this WR and the long TOO before it are flirting with Dark Star. This is a deep version: Jerry gives it so much emotion, and the whole band is locked in to a soundscape that gives it that extra x-factor.
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