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Carrion_Crow

Stealth Head

+49677


Submissions

15
Jack Straw
Oct. 22, 1971
Auditorium Theatre

Some of the sweetest group vocal harmonies ever. How is this show not more highly rated?
16
Tennessee Jed
Oct. 22, 1971
Auditorium Theatre

Way up-tempo and crisp and groovy. This was Keith's first run of shows and their's popping creative energy throughout.
11
Me and My Uncle
Oct. 22, 1971
Auditorium Theatre

Bobby's voice sounds beautiful, one of his clearest, nicest vocal performances of this one.
7
Jack Straw
Oct. 30, 1973
Kiel Auditorium

Right about here a damn good show becomes an outrageously amazing show.
12
Wharf Rat
Oct. 29, 1973
Kiel Auditorium

Exploratory and energetic, coming in the heart of an hour-long jam. Great musicality and clear communication between the boys here.
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Comments

Smokestack Lightnin'
Dec. 27, 1986
Henry J. Kaiser Convention Center

Bobby's outrageous 'devil's gonna getcha' vocals make this one straight outta the wackzone. I was at this show, and by this point in the evening pretty well freaked-the-fuck out. The Kaiser was a great and intimate theatre with good sound. It felt-sounded like the voices were coming from inside your head, and I remember a few of us lying down and trying to hold on through it. A bit creepy, sure, but all good in the end when you get to one of the most beautiful Comes a Times ever right after, like the angel of light parting the clouds after the angel of darkness just blew you into a thousand pieces.
Good Lovin'
Oct. 30, 1970
SUNY Stonybrook

The show starts a bit sleepy, but the drummers kick this one off in high gear. Very short intro, followed by almost ten minutes of drum solos. Then somehow Cumberland shows up before going back to the song. A bit chaotic and wacky? Sure, but it clips along nicely, although it does seem like they forgot all about Good Lovin' until Phil reminded them.... Whattawhirled.
Good Lovin'
Oct. 24, 1970
Kiel Opera House

Double post, sorry.
Good Lovin'
Oct. 24, 1970
Kiel Opera House

AUD-phobes: Swallow the pill and chase this little beastie down the rabbit hole. This is energetic, muscular, tight jamming with a great transitional flavor. 1970 isn't only country dead, but also a great time for exploring extensive jamming outside of the hard psychedelia of the years prior. Here's a great example of electric, bluesy, hard rock. GDTRFB hears Phil lead the Stephen tease, but I hear him riffing on something that sounds likeFoxy Lady, which Jerry responds to with the SS riff. In any case, it's balls-to-the-wall good time Dead. Enjoy!
Dancin' in the Streets
Oct. 24, 1970
Kiel Opera House

Brilliant Bobby-Phil interaction, starting with Bobby on a little double-time riff around minute 6:00, followed by Phil picking it up and laying it down 30 seconds later.
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