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Carrion_Crow

Stealth Head

+49707


Submissions

7
El Paso
Nov. 30, 1973
Boston Music Hall

Fast and fun, the crowd really digging it. Great show in spite of some sound quality issues.
15
Playin' In The Band
Oct. 27, 1973
Indianapolis State Fair Coliseum

Trippy explorations at lightning speed with cool MHUT>Big River sandwich.
6
Mississippi Halfstep Uptown Toodeloo
Feb. 22, 1974
Winterland Arena

Nice groovy outro. Great show, good vibes.
31
The Other One
Feb. 23, 1974
Winterland Arena

Gets real out fuurther and faster then into a Help-Slip preview in the jam. Great interplay between Phil and Jerry.
8
The Music Never Stopped
Feb. 28, 1975
Bob Weir's Studio

Rehearsal, no vocals, brilliant explorations of the song in development. Great insight into the boys' collective mind.
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Comments

Smokestack Lightnin'
Dec. 27, 1986
Henry J. Kaiser Convention Center

Bobby's outrageous 'devil's gonna getcha' vocals make this one straight outta the wackzone. I was at this show, and by this point in the evening pretty well freaked-the-fuck out. The Kaiser was a great and intimate theatre with good sound. It felt-sounded like the voices were coming from inside your head, and I remember a few of us lying down and trying to hold on through it. A bit creepy, sure, but all good in the end when you get to one of the most beautiful Comes a Times ever right after, like the angel of light parting the clouds after the angel of darkness just blew you into a thousand pieces.
Good Lovin'
Oct. 30, 1970
SUNY Stonybrook

The show starts a bit sleepy, but the drummers kick this one off in high gear. Very short intro, followed by almost ten minutes of drum solos. Then somehow Cumberland shows up before going back to the song. A bit chaotic and wacky? Sure, but it clips along nicely, although it does seem like they forgot all about Good Lovin' until Phil reminded them.... Whattawhirled.
Good Lovin'
Oct. 24, 1970
Kiel Opera House

Double post, sorry.
Good Lovin'
Oct. 24, 1970
Kiel Opera House

AUD-phobes: Swallow the pill and chase this little beastie down the rabbit hole. This is energetic, muscular, tight jamming with a great transitional flavor. 1970 isn't only country dead, but also a great time for exploring extensive jamming outside of the hard psychedelia of the years prior. Here's a great example of electric, bluesy, hard rock. GDTRFB hears Phil lead the Stephen tease, but I hear him riffing on something that sounds likeFoxy Lady, which Jerry responds to with the SS riff. In any case, it's balls-to-the-wall good time Dead. Enjoy!
Dancin' in the Streets
Oct. 24, 1970
Kiel Opera House

Brilliant Bobby-Phil interaction, starting with Bobby on a little double-time riff around minute 6:00, followed by Phil picking it up and laying it down 30 seconds later.
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