headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49742


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
10
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

Dark Star
June 7, 1969
Fillmore West

This is a real killer. About seven minutes in, right after the first chorus, Jerry flips a switch and warms us up with a repeating rhythmic figure for about a minute that then blisters your brain like a flying Warthog. This is a muscular, aggressive, heavy jam. Acid rock - not peace and love.
Mountains of the Moon
July 10, 1969
Playboy After Dark

This was the show's release date. The Jan. 18th date above was the recording, apparently.
Mountains of the Moon
June 7, 1969
Fillmore West

Slightly more muscular and driven than others, without the -> into Dark Star. It's the second-to-last time performed, too, as the date of the Playboy version is its release date rather than its recording. Why did they drop it? Such a beautiful sweet song, and interesting to me that they pulled it out for the '15 tour after all that time.
Eyes Of The World
Dec. 6, 1973
Public Hall

Slipknot teases sneak their way in perfectly just after nine minutes in this colossus of a jam.
Dark Star
Dec. 6, 1973
Public Hall

cgarces is right again. The jam at 35 minutes is a focused Phil-driven Miles-inspired and Seastoned-predicting enormity. This is advanced Grateful Dead. Do not try to convince your new girlfriend to listen to this band with this one unless she's a already an avant guard conceptual artist or jazz drummer....