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Carrion_Crow

Stealth Head

+49777


Submissions

4
Cryptical Envelopment
Jan. 30, 1970
The Warehouse

The intro isn't much, but the outro just swells up and hits you in the head like a bag of hammers. Explosive power. Outrageous.
3
The Other One
Jan. 30, 1970
The Warehouse

Massive crunching slammer. Wrongfully ignored show. Hot Cryptical outro, too.
2
Good Lovin'
Jan. 30, 1970
The Warehouse

Why is this classic and historically important show ignored? They sound great here. Enjoy.
6
Easy Wind
Jan. 30, 1970
The Warehouse

Smokey gut-bucket blooze. Damned fine.
2
China Cat Sunflower -> I Know You Rider
Jan. 30, 1970
The Warehouse

Great vocals and wild harmony with a sweet jam from an historically important show.

Comments

Dark Star
June 7, 1969
Fillmore West

This is a real killer. About seven minutes in, right after the first chorus, Jerry flips a switch and warms us up with a repeating rhythmic figure for about a minute that then blisters your brain like a flying Warthog. This is a muscular, aggressive, heavy jam. Acid rock - not peace and love.
Mountains of the Moon
July 10, 1969
Playboy After Dark

This was the show's release date. The Jan. 18th date above was the recording, apparently.
Mountains of the Moon
June 7, 1969
Fillmore West

Slightly more muscular and driven than others, without the -> into Dark Star. It's the second-to-last time performed, too, as the date of the Playboy version is its release date rather than its recording. Why did they drop it? Such a beautiful sweet song, and interesting to me that they pulled it out for the '15 tour after all that time.
Eyes Of The World
Dec. 6, 1973
Public Hall

Slipknot teases sneak their way in perfectly just after nine minutes in this colossus of a jam.
Dark Star
Dec. 6, 1973
Public Hall

cgarces is right again. The jam at 35 minutes is a focused Phil-driven Miles-inspired and Seastoned-predicting enormity. This is advanced Grateful Dead. Do not try to convince your new girlfriend to listen to this band with this one unless she's a already an avant guard conceptual artist or jazz drummer....