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Carrion_Crow

Stealth Head

+49742


Submissions

6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
2
Truckin'
Aug. 12, 1972
Sacramento Memorial Auditorium

High voltage 18-wheel Truckin'. Mix and sound on this show keep it in the shadow of others this month, but the music is all there.

Comments

Good Lovin'
Sept. 18, 1970
Fillmore East

It's everything that's been said and more: I'd add that the group vocals are 100% on, and Pigpen is in beautiful form . This is one to come back to a couple of times in a row, study a bit closer, strap on some headphones, and whooooooooooeeeeeeeee.
Dark Star
Sept. 17, 1970
Fillmore East

As always, trust gdtrfb Era Evangelist. This one is outrageous, and the tighten up jam is without peer, and may be the most expansive and cogent one I know. In some other ideal sphere, the perfect SBD exists, but until then, thanks once again Mr. Weinberg.
Ripple
Sept. 17, 1970
Fillmore East

The AUD is a C- but the performance is A+
Box of Rain
Sept. 17, 1970
Fillmore East

First and only time played before '72, before the release of the record. Heavy emotion here. Does anyone know the date of his father's death, for whom the song was written? It's quite a sweet performance, in spite of the C- sound quality of the tape, and beyond the historical importance of the song's debut.
Easy Wind
Aug. 30, 1970
KQED Studios

Possibly the best harp solo on this song ever. Pigpen tears into it like he's got you just where he wants you. Hard rock stuff this.