Beautiful comedown after an epic Eyes. Forgotten show or not, this is one of the best 2nd sets of the year - and that says a hell of a lot.

Unique Dead with the whole horn section. In places sounds like Nigerian Juju pop from the same era (King Sunny Adé or Fela's big band). Very cool.

Sweaty funky and a little bit loose - just like the lady in the song.

Extremely beautiful version with some AUD problems. Sparkling melodicism out of the perfect collective mind. A forgotten diamond.

Impassioned version like few others, with both Jer and Keith firing on all cylinders. Terrible AUD probs keep this show unknown, but worth a listen.

Ok, so there's a bit of controversy as to whether this show ever happened. Nevertheless, don't let the rough AUD beginnings fool you, at around the 03:15 mark this one clears up into a SBD patch and the jam is one of clear, well-grooved professional '70 sound. Pig's voice is beautiful, and whether or not they were really in Hawaii for a two-show vacation seems beside the point. Here it is. Enjoy. Of course I'm referring here to track 2 on the Archive's only version of this date. The "Easy Wind" track 12 from the same date (questionable) sounds like some filler from another date, plus the mix is very off, with patches of only Phil audible, and almost no vocals in it. Track 14 on the same date is yet a third "Easy Wind", which is also of fairly wrecked tape quality.

The outro, definitely, kicks hard, with just the right amount of prog epic on it. Here, have an upvote.

Very strong intro, with the mellow post-hiatus sound magically merged with that perfect '77 musicianship. Great transition into NFA too.

Hey Dantian! Welcome aboard friend. If you dig Dancin' from '76, (and I know you do...) then check out how they start tweaking it big style in September and October of the same year. There's some wild transitional free-form stuff from the Fall '76 tour, and they're some of my top-shelf Dead from of all time. Cheers!

Will cause brain blisters if used improperly. Chases that eerie mystery at the heart of this song that can make it so transfixing, and sometimes even slightly menacing. Jerry sounds like he could just go on forever here.