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Carrion_Crow

Stealth Head

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Submissions

25
Scarlet Begonias
May 19, 1974
Portland Memorial Coliseum

Short succint and distilled to its '74 essence. Plus Donna's sexiest "Ohhhhhhhhh" ever.
9
Brokedown Palace
Dec. 2, 1971
Boston Music Hall

Sweet as honey. Holds together in perfect harmony and never drags.
2
Playin' In The Band
Dec. 2, 1971
Boston Music Hall

Pushes against the melody: Late '71 and the song's potential is about to burst free in the months ahead. You can feel it, and it's good.
15
Ship of Fools
May 17, 1974
P.N.E. Coliseum

For any SoF doubters out there, this one is as convincing as they come. Everything comes together nicely, and there isn't a single downer on deck.
16
Loose Lucy
May 17, 1974
P.N.E. Coliseum

Faster than most. And mad funky.
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Comments

Attics of My Life
June 6, 1970
Fillmore West

Sacrilege, possibly, but this song rarely lived up to its potential. Have you tried to sing three-part harmony at this pace? It's fucking hard, and the beautiful realization on the LP was rarely achieved live. That's probably why they dropped it so soon, too. That said, this is the one that nails it. This might be one of the best ever. Very sweet.
Good Lovin'
June 6, 1970
Fillmore West

Notable for the outrageous fantasy swampjam New Orleans Bobby feature in the middle, instead of the later-in-the-evening Pigpen rap. Nevertheless, it's a tight and right showing of who and what was the immortal '70 sound. Good stuff.
New Orleans
June 6, 1970
Fillmore West

Rarity doesn't even begin to describe it. This is the hogwild swamprock you never knew but always suspected. Imagine your neighborhood garageband with 10,000 loyal followers in a superdosed lovefest on a sweet summers's day's daze. A real treat.
Dancin' in the Streets
June 6, 1970
Fillmore West

The first songs in the show seemed a bit sluggish, but they really take off here. This song was so goddamned good in this era, and this one is a real corker.
Morning Dew
June 6, 1970
Fillmore West

Show opener, apparently. It starts off kinda sleepy like, then gets heavy, but right when it reaches critical mass, it seems like Jerry moves on to the final words. Still wonderful, of course, but I wouldn't put it up there as one of the best from the era.
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