headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

2
Hard to Handle
Nov. 11, 1970
49th Street Rock Palace

Hot soloing and '71 levels of intensity. Listenable in spite of some tape wobble and distortion. Fun to watch H2H expanding during this era.
1
Deep Elem Blues
Nov. 9, 1970
Action House

Headphones only very rough AUD, but one of the rare electric funky Deep Elems. Historical rarity.
1
Morning Dew
Nov. 9, 1970
Action House

Pity about the C- sound quality, because a new tape of this would show us a real corker.
10
Good Lovin'
Nov. 8, 1970
Capitol Theater

Final jam in an enormous show. Just killer. Follows the one NRPS set you need to hear. Whatta world.
2
Brokedown Palace
Nov. 7, 1970
Capital Theater

Through the AUD fuzz and chatter comes a beautifully rendered vocal performance. Enjoy this hidden treasure.
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Comments

Attics of My Life
June 6, 1970
Fillmore West

Sacrilege, possibly, but this song rarely lived up to its potential. Have you tried to sing three-part harmony at this pace? It's fucking hard, and the beautiful realization on the LP was rarely achieved live. That's probably why they dropped it so soon, too. That said, this is the one that nails it. This might be one of the best ever. Very sweet.
Good Lovin'
June 6, 1970
Fillmore West

Notable for the outrageous fantasy swampjam New Orleans Bobby feature in the middle, instead of the later-in-the-evening Pigpen rap. Nevertheless, it's a tight and right showing of who and what was the immortal '70 sound. Good stuff.
New Orleans
June 6, 1970
Fillmore West

Rarity doesn't even begin to describe it. This is the hogwild swamprock you never knew but always suspected. Imagine your neighborhood garageband with 10,000 loyal followers in a superdosed lovefest on a sweet summers's day's daze. A real treat.
Dancin' in the Streets
June 6, 1970
Fillmore West

The first songs in the show seemed a bit sluggish, but they really take off here. This song was so goddamned good in this era, and this one is a real corker.
Morning Dew
June 6, 1970
Fillmore West

Show opener, apparently. It starts off kinda sleepy like, then gets heavy, but right when it reaches critical mass, it seems like Jerry moves on to the final words. Still wonderful, of course, but I wouldn't put it up there as one of the best from the era.
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