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Carrion_Crow

Stealth Head

+49667


Submissions

7
Let It Grow
July 13, 1976
Orpheum Theatre

Gives you blisters on your fingers just listening to it. Great second bit coming after drums. Solid if not somewhat overlooked show.
8
Death Don't Have No Mercy
Aug. 23, 1968
Shrine Auditorium

A bit shorter and tighter than some, but brilliant, and part of an immortal set of primal blasting power.
33
Dark Star
Nov. 8, 1970
Capitol Theater

Takes off on you for a deep and weird ride, then goes into a brilliant "The Main Ten" which just kills me its so good.
18
El Paso
Nov. 8, 1970
Capitol Theater

The boys were in a mellow mood tonight, and this one is the sweet and tearful-cowboy ballad it was written to be.
7
I Know You Rider
Nov. 8, 1970
Capitol Theater

Moody, pensive, and beautifully acoustic. Like no other. Unbelievably beautiful.

Comments

Turn On Your Love Light
May 7, 1970
DuPont Gym - MIT

Pig's line "and after all that" coming out of a fast paced chase through the jam-a-thon is pretty funny too. This is a big barn-burning number, and could really stand a good cleanup so that the audiophobes can listen to it without fear. Really, heads, this is under-rated, and should be much higher.
Easy Wind
May 7, 1970
DuPont Gym - MIT

Clearly one of the most inspired and radically jammed versions with fantastic power. Does anyone else hear in Jerry's solo musical references to traded solos on "The End" off of Abbey Road? In any case, it's blasting and oh-so-good.
New Speedway Boogie
May 7, 1970
DuPont Gym - MIT

Or a bone in its nose. There's some deep darkness to it, and it grooves beautifully.
I Know You Rider
May 7, 1970
DuPont Gym - MIT

Performed as a ballad. A beautiful different interpretation. Lovely warm guitar sound in spite of the B-quality AUD that's suffered a touch of damage.
Dancin' in the Streets
June 14, 1976
Beacon Theatre

Should definitely go higher on the list. The '76s are all just so good, but this one has special tightness to it - and a great Betty Board.