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Carrion_Crow

Stealth Head

+49667


Submissions

15
Playin' In The Band
July 18, 1972
Rossevelt Stadium

Hard-driver with intense 10/4 jamming throughout. Phil and Billy give it extra oomph. Great mix with Keith and Jer up front and clear.
4
China Cat Sunflower -> I Know You Rider
July 18, 1972
Rossevelt Stadium

One of those rare ones where China Cat plods a bit and they move into a blazing hot Rider. Great show all around, too.
19
Candyman
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Keith plays beautifully on this.
7
Brown Eyed Women
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Like with all Winter '73s the band is in excellent form. Bobby's slashing chords behind Big Jer just make this one an uptempo gem.
8
Me and Bobby McGee
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Sweet and lovely. Jerry's virtuoso fillagree behind Bobby's smooth-as-smoke vocals just slay me here.

Comments

King Solomon's Marbles
March 23, 1975
Kezar Stadium

On terminology: I take "King Solomon's Marbles" to mean the whole sweet suite, listed as "Stronger than Dirt" and/or "Miliking the Turkey" in places. Enjoy.
King Solomon's Marbles
March 23, 1975
Kezar Stadium

Glynparson is absolutely right about this one. This is it. This is where late 20th century music collides in a fantastic rush of mastery, soul, spontaneity, and total badassery. Miles Davis' spectral influence is there, as is whatever bazillion other influences were flying around in the deep weird of 1975. So glad this is back up on the Archive. Enjoy it while you can, friends. This is - and I rarely use the word - epic.
Deep Elem Blues
April 12, 1970
Fillmore West

Compare with Sept. 30th 1971 for a rare funky electric version.
Good Morning Little Schoolgirl
April 12, 1970
Fillmore West

Doesn't bother me at all. Rock and roll is in some way about being a teenager all the time anyway. The song is an act, the singer an actor. Isn't Pig's authenticity also a suspension of disbelief? Was he really a biker outlaw cowboy, or just a beautiful, enormously talented, deeply soulful and unfortunately tragic human musician. We like to think of this music as just happening, spontaneously, emanating directly out of and through these guys. But seriously, they were/are artists. Pigpen was fully conscious of the roles and personas he was playing. Singing "you're only 15 years of age" in a song that also says (repeatedly) "I'm a little schoolboy too" is no different for me than Bobby singing over 600 times "and I left his dead ass there by the side of the road" in MAMU. Do we cringe at the idea that Bobby might be a murderer? Of course not, and for that matter "Mexicali Blues" is much sleazier! In any case, this a truly hot version, and '70 Dead is some the dankest, bestest, kindest nug out there. Enjoy. Sorry for the rant!
The Other One
April 9, 1970
Fillmore West

More than wonderful: Furthur out weird goddamned trippin' balls outre pudding. Jump in. One of those messages from the past that only an AUD, warts and all, can convey. Sometimes distortion, wobble, tweaks, saturation, and late gen fade only add to the trip. Play this over my tombstone, guys, I wanna be in it for a while.