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Carrion_Crow

Stealth Head

+49667


Submissions

24
Black Peter
Jan. 2, 1970
Fillmore East (Late Show)

Low key and smooth - a real treat. Show is known for its great DS>SS>11, but give this a listen. Nice.
2
Hurts Me Too
Jan. 22, 1971
Lane Community College

Despite the lo-fi tape, this has got to be some of the deepest blues they ever played. Don't let the murky recording turn you off - it's worth it.
7
Hard to Handle
April 17, 1971
Dillon Gym

Cruising along with 3rd° swagger when it suddently hits high gear and <BOOM!>, you become the Pig, and it feels good.
3
Truckin'
April 17, 1971
Dillon Gym

Openers this good let you know exactly how amazing the show will be. 17.04 isn't just the best Good Lovin' of all time but an all round killer show.
14
Big Railroad Blues
April 5, 1971
Manhattan Center

Simply the best one I know. Energetic uptempo rockin' and rollin' with a hard driving bass player named PHIL!
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Comments

Casey Jones
Feb. 14, 1970
Fillmore East

Crisp, snappy, tight, nervy, jangled, amped up and jumping. Uh... what was that song about?
Playin' In The Band
Oct. 16, 1989
Meadowlands Arena

The DS is amazing, of course, but it's the PiTB that makes this 2nd set such a representative of the 'last great era'. The first reprise out of UJB in particular gives us the wild explorations and space pinball that I remember from this time. I listen to so much from the 70s that it's that much more of a pleasure to come back to these shows of the later Dead. This is a good show to pull out when trying to convince us 60s and 70s fans that there was still some magic and energy as late as '89.
Turn On Your Love Light
April 3, 1970
Field House, U. of Cincinnati

Save this one up for a day when you need to get your blood moving and want to dance around the room like you did back in the day when you saw 'em live. Bobby and Pigpen go at each other like gangbusters and the effect is magical.
Cosmic Charlie
April 3, 1970
Field House, U. of Cincinnati

Somehow the lyrics predominate here, instead of the more typical powerful rhythmic force of the song. Kind of a hybrid between the mellow of the earlier acoustic set and the psychedelic hard rock of the rest of the set.
The Other One
April 3, 1970
Field House, U. of Cincinnati

What they said: the reprise is something special. After starting subtle, it almost seems like it's petering out, and if I'm not mistaken they signal Cosmic Charlie to each other at just around 2:00. Something intervenes and it comes back around into a wild whirlwind. Hot stuff.
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