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Carrion_Crow

Stealth Head

+49667


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.

Comments

Dark Star
Sept. 19, 1970
Fillmore East

I don't normally comment twice on the same show, but this one's worth it. 1000s of hours of Dark Star and I continue to reach back to this beauty. More and more I've come to appreciate the beautiful warm mix - and the fact that Bobby's contribution isn't lost. Here he's understated and deft, continually prodding Jerry and Phil with his unique angular quality patterns and the syncopated statement/restatement that makes such an oft-overlooked contribution to the coherency of the musical landscape. So listen to this one again with your ear on Bobby - it's worth another go.
New Speedway Boogie
May 1, 1970
Alfred College

PLEASE DON'T DOMINATE THE RAP JACK... you know the rest.
Looks Like Rain
Dec. 12, 1978
Jai-Alai Fronton

Hey Glyn, first off, thanks. There's a lot of love and deep knowledge of the Dead on your posts. I'm with Modernhead and have no disrespect for other heads. It's just that the pace - not the content - of your posts is a bit overwhelming. I want to check out what you have to say, but can't really interact with you or the site if it's already ten pages deep on the site. I use this site to learn more about the Dead (on the bus since '84 and still going strong) and to share with others, but that's hard if it's only one hand clapping. Lots of love. I don't have notebooks, just a lot of cyber friends who used to trade cassettes and are happy to be in a community of freaks. Want to share a little more by maybe sharing a little less?
Looks Like Rain
Dec. 12, 1978
Jai-Alai Fronton

Hey Glyn, first off, thanks. There's a lot of love and deep knowledge of the Dead on your posts. I'm with Modernhead and have no disrespect for other heads. It's just that the pace - not the content - of your posts is a bit overwhelming. I want to check out what you have to say, but can't really interact with you or the site if it's already ten pages deep on the site. I use this site to learn more about the Dead (on the bus since '84 and still going strong) and to share with others, but that's hard if it's only one hand clapping. Lots of love. I don't have notebooks, just a lot of cyber friends who used to trade cassettes and are happy to be in a community of freaks. Want to share a little more by maybe sharing a little less?
Truckin'
Aug. 24, 1972
Berkeley Community Theatre

Thanks Modernhead. I always think Truckin' is the victim of its own success. It's so emblematic of the Dead, may even be the one song non-heads associate with the band, that deep heads might tend to skip over it and go straight to the big jams. As musicians, though, I reckon it's a great indicator of how deep they were feeling it. There's a reason they kept it in rotation after all, and it sure as shit wasn't to sell tix to folks who'd heard it on the radio once or twice. It rocks, and it gave them a chance to find the groove that would work on this night or that, comfortable, but still challenging. Find a good Truckin' and you find a good show. That's how I see things. Peace.