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Carrion_Crow

Stealth Head

+49667


Submissions

7
Playin' In The Band
Oct. 21, 1973
Omaha Civic Auditorium

Early Playin'>MHUT>Big River>Playin' sandwich. Worth it for the surprise bigbang key-changer from River into the wildassed 2nd Playin'.
5
Let It Grow
Oct. 21, 1973
Omaha Civic Auditorium

Liberated from the Horn Section, the boys let 'er rip. Standard fare until about 6:30, then Jer and Keith just explode into full immensity.
6
Cumberland Blues
Oct. 21, 1973
Omaha Civic Auditorium

Up and jumping, fast and precise version in spite of a few sound quality problems.
3
Black Throated Wind
Oct. 21, 1973
Omaha Civic Auditorium

Sound quality may prevent some from appreciating this show, but don't miss this one. Bobby gives it everything, everyone goes nuts behind him.
5
Sing Me Back Home
Sept. 26, 1973
War Memorial

Forgotten or overlooked, but melts-in-your-mouth sweet. More of a triumphant blues than the gospel beauties from '72.

Comments

Big Railroad Blues
April 1, 1984
Marin County Veterans Auditorium

Damned right! They take this one through a few extra choruses. You can tell they really felt like playing from the first note of the show. Killer first set.
Friend of the Devil
April 1, 1984
Marin County Veterans Auditorium

Nice version for the home crew. The whole show sparkles with fun energy, even on the slower numbers like this one. One of those shows where every note fits in just right. Great Brent magic on the Celeste-sounding keys.
Dancin' in the Streets
Oct. 14, 1976
Shrine Auditorium

No doubt about it, this is special. The new Dancin' wasn't firmly locked in place yet, and they were tweaking it every which way all summer and fall tours, leaving lots of room to explore this tune in new ways. This one is a high point of Dead spontaneity and exploration on form and collective improvisation They just slay it in ten-thousand ways.
Scarlet Begonias
Oct. 14, 1976
Shrine Auditorium

This is a sleeper, meaning it slips past unnoticed until hitting you hard and solid. If Jerry's extra oomph and the miraculous ensemble aren't enough, then the downright sexy Donna parts (it's '76 and she sounds great) that supplement but never detract should seal the deal.
The Music Never Stopped
Oct. 14, 1976
Shrine Auditorium

Antidote for any remaining, poor, and uninformed heads out there who overlook '76 as a long, slow warmup for '77. This beautiful gem has solid, unique jams throughout, just like the brother says here.