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Carrion_Crow

Stealth Head

+49667


Submissions

5
Playin' In The Band
Sept. 26, 1973
War Memorial

Eclectic melodicism and mood shifts make this beauty at times sound like outer space, at times like a bossa sunrise on the beach. A '73 gem.
5
Brown Eyed Women
Sept. 26, 1973
War Memorial

Sweet and tight. Soulful vocals and - if I'm not wrong - Phil singing harmony (???). A great show from the fall '73 tour.
12
Playin' In The Band
Sept. 26, 1972
Stanley Theatre

Sweet version with long Jer and Bobby double solo. Hits all the '73 highs: tight, long jam, with lots of Jerry's fast-mellow and space bugs.
4
Let It Grow
Sept. 24, 1973
Civic Arena

Bobby's neck vein-poppin vocals and Phil's full-throttle power make this a great one. Sept.'73 horns are low in the mix for a cool live/studio effect.
7
Mississippi Halfstep Uptown Toodeloo
Sept. 24, 1973
Civic Arena

Steady rockin' version with beautiful outro.
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Comments

Sugaree
Dec. 5, 1971
Felt Forum - Madison Square Garden

Hard swinging rocker. Bobby and Phil are really in sync pumping on the gas here.
Mister Charlie
Dec. 5, 1971
Felt Forum - Madison Square Garden

Damned good, this one. Plus Bobby introduces it with instructions to get ready for the "pirate recorders". It's thanks to this revolutionary attitude that we have so much of this music.
Brown Eyed Women
Dec. 5, 1971
Felt Forum - Madison Square Garden

Note for note elegance.
Wharf Rat
Dec. 6, 1971
Felt Forum, Madison Square Garden

Approaches the power and arc of the greatest Wharf Rats, and deserves to be near the top. Rivals Summer '74 for beauty, coherence, and sheer emotive power.
The Other One
Dec. 6, 1971
Felt Forum, Madison Square Garden

Needs love here: Going chronologically I've realized how experimental they were with TOO since Keith joined, especially in Nov/Dec. Not only are there examples of great meltdown freejazz spacebug weirdness, but the fact that they're mixing it up with Bobby McGee, or El Paso, or even Mexicali (04.12) means that they caught a whole new nexus for this in the new setup. 06.12 is also remarkable because they sandwich McGee before the first chorus, then go into the main jam. Call this one a Dark Star if you want. It's that dialed in.
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