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Carrion_Crow

Stealth Head

+49667


Submissions

45
Ripple
April 29, 1971
Fillmore East

Also just about pretty damn perfect too. Follows a super-macho Hard to Handle and the combination shows so much of the emotional breadth of the Dead.
7
Tomorrow Is Forever
Dec. 11, 1972
Winterland Arena

A sweet and rare country torch ballad showing off just what they were thinking bringing the Godchaux on board the bus.
48
The Other One
Aug. 6, 1971
Hollywood Palladium

Heavy and Heady. Starts with super-charged explosions then melts into ballsy MAMU in under 8 minutes. Love the '71s.
28
Truckin'
Aug. 6, 1971
Hollywood Palladium

Absolutely smokin' hard rocking swagger. Builds from a cool shuffle to a blisteringly hot rocker setting up Drums/TOO. Great show all around.
15
Me and Bobby McGee
Aug. 6, 1971
Hollywood Palladium

The band plays/signs together so well on this sweet one. The whole concert is brilliant.
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Comments

Sugaree
Dec. 5, 1971
Felt Forum - Madison Square Garden

Hard swinging rocker. Bobby and Phil are really in sync pumping on the gas here.
Mister Charlie
Dec. 5, 1971
Felt Forum - Madison Square Garden

Damned good, this one. Plus Bobby introduces it with instructions to get ready for the "pirate recorders". It's thanks to this revolutionary attitude that we have so much of this music.
Brown Eyed Women
Dec. 5, 1971
Felt Forum - Madison Square Garden

Note for note elegance.
Wharf Rat
Dec. 6, 1971
Felt Forum, Madison Square Garden

Approaches the power and arc of the greatest Wharf Rats, and deserves to be near the top. Rivals Summer '74 for beauty, coherence, and sheer emotive power.
The Other One
Dec. 6, 1971
Felt Forum, Madison Square Garden

Needs love here: Going chronologically I've realized how experimental they were with TOO since Keith joined, especially in Nov/Dec. Not only are there examples of great meltdown freejazz spacebug weirdness, but the fact that they're mixing it up with Bobby McGee, or El Paso, or even Mexicali (04.12) means that they caught a whole new nexus for this in the new setup. 06.12 is also remarkable because they sandwich McGee before the first chorus, then go into the main jam. Call this one a Dark Star if you want. It's that dialed in.
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