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Carrion_Crow

Stealth Head

+49667


Submissions

9
St. Stephen
June 27, 1969
Veterans Auditorium

Worth it for the stoned giggles after the cannon shot alone. Part of a great '69 show filled with rare gems.
5
Casey Jones
June 27, 1969
Veterans Auditorium

2nd ever, with a long cool intro that sounds a bit like Row Jimmy. This one's a beaut from a show full of great rarities (Slewfoot opener!).
2
Me and My Uncle
June 27, 1969
Veterans Auditorium

Slow, clear version from a beautiful show placed right between the primal psychedelia and the emerging country Dead. Check it out.
6
Turn On Your Love Light
Feb. 20, 1971
Capitol Theater

Buried under some sound quality issues is a 25 minute epic with massive jams and a dollar and quarter Pig rap for the ages.
3
Caution
Feb. 5, 1970
Fillmore West

This will chop you into tiny pieces and put you back together again. Ballsy dark Dead from a cool show.

Comments

Me and Bobby McGee
April 5, 1971
Manhattan Center

That's Jerry, not Phil, I'm fairly sure. Anyone else? My headphones are busted (don't ask),so I can't listen really deeply like I want to, and it does sound like a little bit of three-part harmony on the very last lines, but Jer is singing backup throughout and the yodel is within his timbrel range. Any historians out there know for sure? Sure is a beaut, anyway.
Good Lovin'
May 3, 1972
Olympia Theater

Pig gets good and filthy right around 10:00.
The Other One
May 2, 1970
Harpur College

Apparently two years and change since I've rechecked this one: I agree with crankyoldhead above. This is an insane rager, for sure, but hard to figure it as the top o'the list other than that it's been released commercially. Strong points: relentless and coherent, but it never tips over the edge, but just stays close to it for a great long journey. To me the cryptical reprise gets closest to the supernova power of, for example 04.26.72 and probably twenty-five others on this page. Not meant as a criticism, but simply an observation.
Dark Star
Sept. 10, 1972
Hollywood Palladium

A wonderful, long, inventive version, full of pure musical jams, a wild post-verse spacemelt, and a glorious return into a beautiful Jack Straw. I reckon it's no higher on the list because the board levels aren't top-shelf, but the recording itself is great, and there's good channel separation so you can hear Bobby's angular knifey stabalong clearly, which is a too-rare treat for the era. (His interaction with Keith and Jerry at about 24:00 is just brilliant.) Listen to it, it's got it all, and I'd nominate this show (excellent all-round) for a cleanup if possible.
He's Gone
Sept. 10, 1972
Hollywood Palladium

Bliss. As close to a perfect statement of He's Gone as I know. The soloing is full of clear, purposeful ideas and Billy drives the whole thing forward with just the right amount of push, never letting it drag a bit. Could be much higher on the list.