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Carrion_Crow

Stealth Head

+49667


Submissions

15
Jack Straw
Oct. 22, 1971
Auditorium Theatre

Some of the sweetest group vocal harmonies ever. How is this show not more highly rated?
16
Tennessee Jed
Oct. 22, 1971
Auditorium Theatre

Way up-tempo and crisp and groovy. This was Keith's first run of shows and their's popping creative energy throughout.
11
Me and My Uncle
Oct. 22, 1971
Auditorium Theatre

Bobby's voice sounds beautiful, one of his clearest, nicest vocal performances of this one.
7
Jack Straw
Oct. 30, 1973
Kiel Auditorium

Right about here a damn good show becomes an outrageously amazing show.
12
Wharf Rat
Oct. 29, 1973
Kiel Auditorium

Exploratory and energetic, coming in the heart of an hour-long jam. Great musicality and clear communication between the boys here.

Comments

Morning Dew
Aug. 6, 1971
Hollywood Palladium

Best quality sound also gives this one extra massiveness. The show is pure gold. Really nice to hear Bobby properly mixed into an AUD, too.
Truckin'
Aug. 6, 1971
Hollywood Palladium

Want to be Jerry's guitar? Put your headphones on and get into it. Going through this show again and yes, it is one of the best AUDs of all time. This, friends, was what it was like to be at the show.
The Other One
Aug. 5, 1971
Hollywood Palladium

Really underappreciated here, probably because its big brother the next day is such a colossus. But give this one a whirl, and it'll whirl you right back. They capture that scary rushing part of the ride, while hinting at the monster bugs underneath without actually letting them out. Part of a great set in a great two-show run. Don't miss it.
Turn On Your Love Light
Aug. 4, 1971
Terminal Island Correctional Facility

Gets hotter and hotter, then reaches critical mass. Stick around for the end and you won't be disappointed. I wonder how the convicts felt about it. Did the crew bring any medicine in for them? You know in honor of Bear and all that?
St. Stephen
Oct. 29, 1977
Evans Field House, Northern Illinois University

Prettiest post-hiatus version I know - then gets hot and rocks beautifully. Jerry was famously ambivalent about this song, probably because the break in the middle interrupts the jamming sections, but here he plays it with all his magic. Edit: does anyone else hear the two chord ostinato figure in the out chorus (around 7:00 here) as church bells, or at least as the wishing well with the golden bell?