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Carrion_Crow

Stealth Head

+49677


Submissions

15
Greatest Story Ever Told
Feb. 23, 1974
Winterland Arena

Electrifying and high-power jams, with some of the weirdest sounds Donna ever made. Great fun and a wild ride.
10
Beat it on Down The Line
March 18, 1967
Winterland Arena

Surf Punk! Never thought I'd hear California surfer thrash so clearly in the Dead, but here it is: Bobby as primordial punk rocker? Why not?
7
Morning Dew
March 18, 1967
Winterland Arena

Are you kidding me? This is just blazingly good. Jerry's on fire, vocals and axe. Too good for words.
5
Row Jimmy
Feb. 22, 1974
Winterland Arena

Solid and sweet, with some beautiful slide solos and nice vocals, Donna included.
8
Black Throated Wind
Feb. 22, 1974
Winterland Arena

A powerful triumph, just exploding with intense jamming and emotion. Real dynamite here.
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Comments

Morning Dew
Sept. 21, 1974
Palais Des Sports

This show gets maligned for its looseness and at times less-than-fully ensemble playing. But I have another take: it was the end of the tour, and besides the Winterland October run, quite possibly the last Grateful Dead show ever. They were tired, it seems clear, but they opened up the hatches and let everything out just to see what would happen. Result: this Dew is slower, more thoughtful, but no less intense. Blazing in places, then introspective, melancholy, and experimental. Give the show a generous listen. It's interesting because of its flaws, not only in spite of them.
Eyes Of The World
Sept. 21, 1974
Palais Des Sports

The heavy 'dark' quality here is quite bracing. Reminiscent of some of Miles Davis' music from the era: 'Bitches Brew' and Live-Evil, and Agharta/Pangaea. And I mean this in a most beautiful way. If some of you Heads don't know this particular seam of influence on our boys, then check it out.
Eyes Of The World
Sept. 21, 1974
Palais Des Sports

Damned double post. Sorry mates.
Fire On The Mountain
July 27, 1973
Grand Prix Racecourse

Listened again: it isn't only the two-chord FTM vamp jam that makes this a bone fide embryonic version: They're definitely working out melodic themes that would become the song we love from years later. Damn, I love the Dead.
Around and Around
May 25, 1977
The Mosque

Goddamn, but this whole 2nd set is just immortal. They knew they'd killed it: Just listen to half the band ending while the other half sez, "hell no, we ain't done yet" and then they break into double time. Almost seems like they'd have doubled it again, but maybe the theater manager was pointing at his watch or something. Fuck 'em, cause they weren't done yet and we get some Johnny B. Goode to send it off. Mmm mmm Goode indeed.
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