headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49677


Submissions

24
Black Peter
Jan. 2, 1970
Fillmore East (Late Show)

Low key and smooth - a real treat. Show is known for its great DS>SS>11, but give this a listen. Nice.
2
Hurts Me Too
Jan. 22, 1971
Lane Community College

Despite the lo-fi tape, this has got to be some of the deepest blues they ever played. Don't let the murky recording turn you off - it's worth it.
7
Hard to Handle
April 17, 1971
Dillon Gym

Cruising along with 3rd° swagger when it suddently hits high gear and <BOOM!>, you become the Pig, and it feels good.
3
Truckin'
April 17, 1971
Dillon Gym

Openers this good let you know exactly how amazing the show will be. 17.04 isn't just the best Good Lovin' of all time but an all round killer show.
14
Big Railroad Blues
April 5, 1971
Manhattan Center

Simply the best one I know. Energetic uptempo rockin' and rollin' with a hard driving bass player named PHIL!
show more submissions

Comments

Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
Scarlet Begonias
March 20, 1977
Winterland Arena

That ending scrambled some brains, my god. That said, I can't be the only one who thinks that for all if its glory, Scarlet/Fire gave up the awesome lead-up to Scarlet's punctuated ending (here beginning around minute 11:00) that couldn't be regained when it always morphed into FoTM. But can we also have a moment for that rising intensity Jerry-driven insanity starting with the solo after "let her pass by"? Keith's kool kooky Kraftwerky keyboards also give this a nice Mars-era throwback sound (like the Phil and Ned stuff) during the slow sizzle period before that oooooh god-yes ending.
Estimated Prophet
March 20, 1977
Winterland Arena

Anyone here who's attempted to jam in 7/4 knows how outrageously hard it is to make this so smooooooth. Jerry is overflowing with ideas, laying back but telling you everything you need to hear. Keith's toy-piano-on-a-fritzed-amp sound is pretty weird too, making this a fun spooky-good version.
Beat it on Down The Line
March 20, 1977
Winterland Arena

I have to agree that this isn't the top of the line for me. You want a BIODTL stripped down in kerosene to its pure rock-and-roll essence? Try March 18, 1967, cause it'll curl your straight hair and straighten your curls. Plus it was also at Winterland, so that's kinda kool too.
Deal
March 20, 1977
Winterland Arena

Love this version. Deal comes out of Jerry's guitar like it was his very heartbeat. Solo after solo, this was his vehicle. This one is mellow and swinging, still conveying a bit of that '76 sweetness, and includes an extended out-chorus with nice ensemble harmonies.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)