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Carrion_Crow

Stealth Head

+49637


Submissions

1
Sugaree
July 12, 1976
Orpheum Theater

Kicks off a the second set with a jam that creeps up on you and is suddenly shredding. Cool opener in an under-the-radar show.
2
New Minglewood Blues
July 12, 1976
Orpheum Theater

Comes storming out the gate after 5 years on the shelf. The Devils drive this one, but everyone is on, up, and jumping.
1
Cassidy
July 12, 1976
Orpheum Theater

Smooth highway. Bobby and Donna in sweet harmony, and with that whiff of grace that marks the best versions of Cassidy out there.
2
Might As Well
June 29, 1976
Auditorium Theatre

Good times for all on this sweet set closer, coming out of a killer TMNS.
3
Not Fade Away
June 28, 1976
Auditorium Theatre

Beautiful a capella outro here and check out Bobby's polyrythmic harmolodism during the last solo section for a treat.

Comments

Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
Scarlet Begonias
March 20, 1977
Winterland Arena

That ending scrambled some brains, my god. That said, I can't be the only one who thinks that for all if its glory, Scarlet/Fire gave up the awesome lead-up to Scarlet's punctuated ending (here beginning around minute 11:00) that couldn't be regained when it always morphed into FoTM. But can we also have a moment for that rising intensity Jerry-driven insanity starting with the solo after "let her pass by"? Keith's kool kooky Kraftwerky keyboards also give this a nice Mars-era throwback sound (like the Phil and Ned stuff) during the slow sizzle period before that oooooh god-yes ending.
Estimated Prophet
March 20, 1977
Winterland Arena

Anyone here who's attempted to jam in 7/4 knows how outrageously hard it is to make this so smooooooth. Jerry is overflowing with ideas, laying back but telling you everything you need to hear. Keith's toy-piano-on-a-fritzed-amp sound is pretty weird too, making this a fun spooky-good version.
Beat it on Down The Line
March 20, 1977
Winterland Arena

I have to agree that this isn't the top of the line for me. You want a BIODTL stripped down in kerosene to its pure rock-and-roll essence? Try March 18, 1967, cause it'll curl your straight hair and straighten your curls. Plus it was also at Winterland, so that's kinda kool too.
Deal
March 20, 1977
Winterland Arena

Love this version. Deal comes out of Jerry's guitar like it was his very heartbeat. Solo after solo, this was his vehicle. This one is mellow and swinging, still conveying a bit of that '76 sweetness, and includes an extended out-chorus with nice ensemble harmonies.