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Carrion_Crow

Stealth Head

+49652


Submissions

1
Hurts Me Too
Dec. 27, 1970
Legion Stadium

Pig's vox never sounded better. Pure, fine Blue Ron soul and a rippin' set of solos, but sadly cuts out.
1
Good Lovin'
Dec. 26, 1970
Legion Stadium

All about the jam. One of the mello raps of the era, and they go off in that way that says "let's do this forever". Why not here?
2
Friend of the Devil
Dec. 26, 1970
Legion Stadium

Sweetness in form and execution. Even the feedback from the monitors harmonises nicely. A gentle, delicate version.
2
King Bee
Dec. 23, 1970
Winterland Arena

Deep blues, two brilliant harp solos, great Jerry work (duh), and a Charlie Miller cleanup. Listen up!
5
Deep Elem Blues
Dec. 23, 1970
Winterland Arena

Starts a little funny, but has that rare electric funk quality. On the recent C. Miller cleanup, so thank you sir.
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Comments

El Paso
March 20, 1977
Winterland Arena

Right on Beggar's Tomb, that's right. I also use Truckin' in the same way. These are songs these guys could play in their sleep, and, c'mon y'all let's admit, they sometimes did. When they're as hot and tight as this, you know it's all going to be good.
Franklin's Tower
March 19, 1977
Winterland Arena

Check your pulse if you're still sitting still after this. This one rises on a beautiful accelerating arc, then quiets to a whisper.
China Cat Sunflower -> I Know You Rider
Dec. 6, 1971
Felt Forum, Madison Square Garden

The China Cat kind of 'chugs along' at a slower pace than others from the era, but they switch gears in the transition jam. They must have signaled each other to kick up the tempo and put some steam on it because it's night-and-day. Keeping with the highway metaphors: The IKYR has the inertia of an 18-wheeler cruising flat straight road in high gear and is just hella-good fun.
El Paso
Nov. 21, 1973
Denver Coliseum

Smoothest whiplash ever here: Musical magic in action coming in from a furious high-elevation Playin' with hardly a hint of the El Paso within it. Suddenly it hasn't just already started, but it has retroactively played itself into a forwardsback existence that was always there waiting too bloom outwards in its fractal filigree. Or maybe I'm just trippin' - hard to say.
Playin' In The Band
Oct. 25, 1973
Dane County Coliseum

Unique and beautiful piano-led motifs around 12:00 start with repeated notes high in the register that remind me of Keith Jarret's work with Charles Lloyd. It's undoubtable that they'd all been turned on to each other's music by this point and I know that Lloyd sat in once at the Family Dog on 03 August 1969.
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