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Carrion_Crow

Stealth Head

+49667


Submissions

3
Hurts Me Too
Feb. 8, 1970
Fillmore West

Swamp blooze. Pigpen was well on this night.
4
Black Peter
Feb. 7, 1970
Fillmore West

Starts a bit rough, but the final solo and out chorus builds and builds into a blazing triumph.
6
Sawmill
Feb. 7, 1970
Fillmore West

Enter the pedal steel. Goddamned sweet sounds here. It's unfortunately cut off, but worth every precious second.
4
Turn On Your Love Light
Feb. 6, 1970
Fillmore West

Pure '70 Dead. Like the HH before, this one grows steadily up to the full berserk, rather than exploding from go. Pig/Bobby outro is immortal.
7
High Time
Feb. 6, 1970
Fillmore West

Gorgeous harmonising and soulful singing. A clean, strong version that never drags.
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Comments

El Paso
March 20, 1977
Winterland Arena

Right on Beggar's Tomb, that's right. I also use Truckin' in the same way. These are songs these guys could play in their sleep, and, c'mon y'all let's admit, they sometimes did. When they're as hot and tight as this, you know it's all going to be good.
Franklin's Tower
March 19, 1977
Winterland Arena

Check your pulse if you're still sitting still after this. This one rises on a beautiful accelerating arc, then quiets to a whisper.
China Cat Sunflower -> I Know You Rider
Dec. 6, 1971
Felt Forum, Madison Square Garden

The China Cat kind of 'chugs along' at a slower pace than others from the era, but they switch gears in the transition jam. They must have signaled each other to kick up the tempo and put some steam on it because it's night-and-day. Keeping with the highway metaphors: The IKYR has the inertia of an 18-wheeler cruising flat straight road in high gear and is just hella-good fun.
El Paso
Nov. 21, 1973
Denver Coliseum

Smoothest whiplash ever here: Musical magic in action coming in from a furious high-elevation Playin' with hardly a hint of the El Paso within it. Suddenly it hasn't just already started, but it has retroactively played itself into a forwardsback existence that was always there waiting too bloom outwards in its fractal filigree. Or maybe I'm just trippin' - hard to say.
Playin' In The Band
Oct. 25, 1973
Dane County Coliseum

Unique and beautiful piano-led motifs around 12:00 start with repeated notes high in the register that remind me of Keith Jarret's work with Charles Lloyd. It's undoubtable that they'd all been turned on to each other's music by this point and I know that Lloyd sat in once at the Family Dog on 03 August 1969.
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