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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

5
Sugaree
May 25, 1974
Campus Stadium, UCSB

Swings and rocks you back and forth so sweetly. Not my favorite Dead song, but this one is just a beaut.
26
Wharf Rat
May 21, 1974
Edmundson Pavilion

A musical triumph capping an amazing 2nd Set. Soaring, almost Bird Songish intensity to the ensemble soloing. Perfect.
18
Sugar Magnolia
May 21, 1974
Edmundson Pavilion

Are you kidding me?!? This just blazes white hot. Whole 2nd set is just a supernova.
16
U.S. Blues (Wave That Flag)
May 21, 1974
Edmundson Pavilion

The boys were still inspired after that 46min Playin' and it shows. Possibly the best US Blues I know of. Don't overlook it or the rest of the show!
46
Wharf Rat
May 19, 1974
Portland Memorial Coliseum

Slightly faster with a steady ostinato bass that works beautifully. No dirge, but a thoughtful tale. I hear waves against a wharf at the end.
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Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.
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