headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49742


Submissions

17
Samson and Delilah
May 7, 1977
Boston Garden

Never thought I'd dig this song so much. They're just so on this whole night (week actually).
12
Next Time You See Me
April 17, 1972
Tivolis Koncertsal

Simply amazing. Check out the video: http://www.youtube.com/watch?v=YyAOwP8dLqc
22
He's Gone
April 17, 1972
Tivolis Koncertsal

I love this version. It's got oomph and doesn't put you to sleep. http://www.youtube.com/watch?v=YyAOwP8dLqc for video.
12
Jack Straw
April 17, 1972
Tivolis Koncertsal

Great bumping version. Check out the video! http://www.youtube.com/watch?v=YyAOwP8dLqc for rare Europe '72 footage.
22
Fire On The Mountain
July 27, 1973
Grand Prix Racecourse

Embryonic "Fire" in the "soundcheck jam" into Wharf Rat. Not a full FTM, but of amazing Deadfulness and not listed elsewhere. Check it out!

Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.