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Carrion_Crow

Stealth Head

+49667


Submissions

3
Hurts Me Too
Feb. 8, 1970
Fillmore West

Swamp blooze. Pigpen was well on this night.
4
Black Peter
Feb. 7, 1970
Fillmore West

Starts a bit rough, but the final solo and out chorus builds and builds into a blazing triumph.
6
Sawmill
Feb. 7, 1970
Fillmore West

Enter the pedal steel. Goddamned sweet sounds here. It's unfortunately cut off, but worth every precious second.
4
Turn On Your Love Light
Feb. 6, 1970
Fillmore West

Pure '70 Dead. Like the HH before, this one grows steadily up to the full berserk, rather than exploding from go. Pig/Bobby outro is immortal.
7
High Time
Feb. 6, 1970
Fillmore West

Gorgeous harmonising and soulful singing. A clean, strong version that never drags.
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Comments

Cosmic Charlie
Jan. 25, 1969
Avalon Ballroom

One of the best I know: They're having a blast. The growling grinding combination of Jerry and the keys (Pigpen? TC? both?) gives it an energetic tight swinging sound during the verses, and an unexpected almost punk-rock blown-amp sounding bridge to the "calling you" section. Cosmic Charlie is so legendary and mythic: People held banners at shows with the number of days past since it was last performed and annual set-lists would say Cosmic Charlie: 0 with a sad-face next to it. Hear it here in a uniquely tight and fun version.
Dark Star
Jan. 25, 1969
Avalon Ballroom

TC is too high in the mix, but so what? In most recordings of the era it's almost impossible to hear any indication of what he brought, so this is an interesting document if nothing else. It's also musically a whirligig of fun, even if a bit scattered in places. Deduct points for the mix if you must.
Turn On Your Love Light
Jan. 24, 1969
Avalon Ballroom

The stoned moron arhythmically yelling 'whoo whoooo' at the beginning and "Grateful Dead!!! Grateful Dead!!!" towards the end bring me right back to my tour days. ;-)
Dark Star
Jan. 24, 1969
Avalon Ballroom

Fans of the Live Dead-era should really know this one. Sonically it shares a lot with the more famous ones of the era, but its flow is just as perfect and the ideas and clear telepathy between Jerry and Bobby throughout is gorgeous. There may be a bit of a tuning or tape-speed wobble in places, but the C.Miller cleanup is pristine.
New Potato Caboose
Aug. 24, 1968
Shrine Auditorium

Jerry's solo can ignite paper at 1000 yards too. I mean Phil gets a lot of deserving love here, but I just gotta add that bit about the guitarist.
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