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Carrion_Crow

Stealth Head

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Submissions

18
Black Throated Wind
Aug. 25, 1972
Berkeley Community Theatre

Flawless. It just leaves me breathless how good this show is.
31
Friend of the Devil
Aug. 25, 1972
Berkeley Community Theatre

Sparkles. Has an electric country sound that just crackles with energy. Perfect execution.
28
Black Peter
Aug. 25, 1972
Berkeley Community Theatre

An ultimate performance. Jerry's voice is in perfect shape. Powerful, chilling version that will make your hair stand on end. Shamefully overlooked.
16
Loser
Aug. 25, 1972
Berkeley Community Theatre

Powerful tight playing. C.Miller cleanup, boys playing the 1st set like their lives depended on it. Peak Dead.
19
He's Gone
Aug. 25, 1972
Berkeley Community Theatre

Note for note precise, beautiful playing. The outro is lovely and doesn't descend into madness. Donna gives it a nice gospel touch.

Comments

Samson and Delilah
March 19, 1977
Winterland Arena

Soul-sizzling church here. The first half of PiTB noodles and swirls, but by the time Samson comes along they are all swagger and strength. This one is a colossus on its own, but part of an outrageous 1st set sammy it's become one of my top Samsons of all time.
Terrapin Station
March 19, 1977
Winterland Arena

Still brand-spankin' new, but they really found their stride here to kick off this outrageous extended jam to close out the first set. This strikes me as the first one to really convey the anthemic triumph outro.
Wharf Rat
March 19, 1977
Winterland Arena

Powerful version with a strong up-tempo pulse. The emotional charge is palpable, and the transition to Franklin's is remarkable.
Dancin' in the Streets
March 19, 1977
Winterland Arena

Jerry's long effects-blastin' solo sounds like six musicians all playing in unison. Listen to Phil's wild contrapuntal polyrhythms behind him. Such a fun version I had to play it over and over. This is well under-rated, folks.
Mississippi Halfstep Uptown Toodeloo
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Catalonia is perhaps a bit too harsh on this solid rocker. Jerry's musical ideas come ringing through with precision and clarity, the band is tight as tight can be - it's primo '77 after all. Maybe it's the 'embarrassment of riches' effect... So many awesome '77s to choose from doesn't mean this one is anything less than stellar.